Description
My artistic practice is experimental. I work with simple, graspable, or “at hand” gestures, using different mediums (videos, installations, prints, sculptures, etc.) that are inherently related to drawing and based on a practice of erasure. Like a plastic gesture that, although in the realm of subtraction, allows one to see and think. I question the status of what is commonly called an “image,” what constitutes an image, seeking in this constant flow—images are said to be more numerous today than ever before, though this is not entirely true and even less of a problem—those that surface, or those that, after interventions, for example, can float, stagnate, or even navigate against the current. And even though I also contribute to this flow of images, I do so with restraint and according to distinct artistic conducts, both derived from the material with which I work (collected, reclaimed, and appropriated documents), and the way I work with it (by diversion, derision, and context shifting), using digital and/or mechanical tools that allow reproduction/overproduction or, to put it differently, de-loss. All relate to a kind of “making” by “unmaking,” a “space to” rather than a “space for,” a certain reserve.
Biography
• Since September 2021 – Assistant in the Drawing course at ArBA-EsA.
• 2019 – Master’s degree in Fine Arts, Visual Arts, and Space, specialized in Drawing, with high honors, at ArBA-EsA.
• 2015 – National Diploma in Fine Arts, Art option, with a commendation for the relevance of the course, at EsBAT-TALM.
Works
